This interview with Craig Martin explores the limits of identity formation under modern Capitalism. Martin’s work Capitalizing Religion: Ideology and the Opiate of the Bourgeoisie focuses on the ways in which culture and religion are produced for consumption.
Aaron Hughes (University of Rochester) has been a vocal critic of some of the theories and methods used by religious studies scholars working on Islam. In this podcast, he discusses his critique of the discipline and practice of religious studies he has made through works such as Situating Islam (Equinox, 2008), Theorizing Islam (Equinox, 2012), Abrahamic Religions (Oxford, 2012), The Study of Judaism (SUNY, 2013), and, most recently, Islam and the Tyranny of Authenticity (Equinox, 2015).
The project of legitimating new cultural commodities into the canon of interpretative objects can be lengthy process. In this interview with University of North Carolina at Greensboro Associate Professor Greg Grieve, video games are presented as a content moving from the margins to the center of the intersection of religion and popular culture. Grieve explains how he integrates play and critical analysis into his course, and narrates the process by which his university’s library created a space to support his innovative classroom work.
I find it our duty to walk the line that holds us from letting the veracity of a claim dictate our field’s observational models or orientations. A single informant’s truth is anecdote, not evidence.
What do we do when our access to documents is contingent on our neutrality? How much of what we can say about the rise of the Religious Right is similarly hindered by restrictions of speech or limited by access to sensitive personal documents?
In this wide-ranging interview with A. David Lewis, comic books are presented as an irreplaceable cultural medium for engaging with issues of mortality, identity, subjectivity, and cosmology. With an overwhelming slate of comic book driven television series (Walking Dead, Gotham, Flash, Green Arrow) and a rising tide of superhero films and franchises (X-Men, Fantastic Four, and the Avengers), there has never been a more essential time to recognize the cultural merits of comic books and seek out their academic rewards.
When the past has provided us as many truly excellent documents as early modern Europe has on witchcraft and possessions, what need have we to inject ourselves into their discussions?
“[My dissertation] in Religious Studies […] begins with the premise that the built environment has been over-emphasized to the detriment of other modes of creating and maintaining sacred space.”