Most scholars examining invisibility in Ellison’s novel consider it a social metaphor: the novel’s protagonist is made invisible by people’s refusal to really see him. Yet Harriss claims invisibility is also a theological trope, with roots in biblical materials, Protestantism, and Kongo traditions, antecedents that establish it as an unmarked religious category. More than the social marginalization of black bodies, Harriss contends invisibility is metaphysical, too.
We are pleased to bring you this week’s opportunities digest and would like to express our gratitude to everyone who has submitted calls for papers, event notifications, job vacancies, etc. On that note, we would also like to encourage you to continue to do so (and invite those who remain hesitant to begin)!
It is super easy
The interview explores S. Brent Plate’s personal research journey into this relatively young field, charting the history of the field in the process. Discussion then turns to the key terms involved… what are we meaning by “religion and film”? The relationship of established “world religions” to cinema? Religion/s on Film? Documentaries? Critiques and Parodies? Religions that exist only in Film? Films as Religious Experiences? Audience reactions to film? Films as myth? Films as a modern form of religion? And so on…
In this wide-ranging interview with A. David Lewis, comic books are presented as an irreplaceable cultural medium for engaging with issues of mortality, identity, subjectivity, and cosmology. With an overwhelming slate of comic book driven television series (Walking Dead, Gotham, Flash, Green Arrow) and a rising tide of superhero films and franchises (X-Men, Fantastic Four, and the Avengers), there has never been a more essential time to recognize the cultural merits of comic books and seek out their academic rewards.
The idea for this roundtable was that it would follow on directly from this week’s interview on religion and literature, but expand the discussion to cover a variety of points relating to narrative, autobiography and (auto)ethnography in the study of religion. Featuring Dr Wendy Dossett, Prof. Elaine Graham, Dr Dawn Llewellyn, Ethan Quillen, and Dr Alana Vincent.
How can studying literature help us to study religion? And what the question even mean? In this interview, Alana Vincent, Lecturer in Jewish Studies at the University of Chester, sets out some of the interesting intersections of these two fields. We can glean ethnographic or historical detail from literary works, and
Calls for papers
Conference: IAHR registration reminder
August 23–29, 2015
Calls for: papers, panels
Deadline: December 15, 2014
Conference: Migration, Religion and Asia
November 27–29, 2014
Palacký University Olomouc, Czech Republic
Calls for: abstracts
Deadline: August 31, 2014
More information (pdf)
Conference: Presence and Invisibility: Sign-bearing artefacts in sacral
“…Segal touches on something rather interesting when he comments that Freud’s inner circle of brilliant acolytes all outgrew and turned against him, one after another, while Jung’s mediocre followers remained devoted to his methods even after his death. Is there an implied criticism of Jung there, that he didn’t dare surround himself with people who could challenge him intellectually, as he had challenged Freud?”
“It is a truth generally acknowledged that religions have been the earliest and perhaps the chief progenitors of cultural products in human societies…” Clearly there is no shortage of data for scholars wishing to delve into this broad topic. But what do we actually mean by ‘cultural product’? How can we claim that ‘religion’ is producing these things in any meaningful way? What can we ascertain about a ‘religion’ from its cultural products? And what makes this approach different from that of Material Religion?