A. Dave Lewis joins us again for a discussion of representations of Muslims in superhero comics. We talk about some positive representations, like Kamala Khan, Marvel’s new Ms Marvel, and some less-than-positive portrayals, like Frank Millar’s Holy Terror! We talk about American comics as a product of the immigrant experience, and how comics made by Muslims play with the conventions of the genre. And we talk about how to use these texts in the classroom, as a powerful tool for exploring representation, media and religion. And what is the “wormhole sacred”?
Comic books frequently include alternative or heterodox religious ideas, something underscored by the fact that two of the most acclaimed writers working today (Alan Moore and Grant Morrison) are practising magicians, and their work frequently contains references to their practises.
In this wide-ranging interview with A. David Lewis, comic books are presented as an irreplaceable cultural medium for engaging with issues of mortality, identity, subjectivity, and cosmology. With an overwhelming slate of comic book driven television series (Walking Dead, Gotham, Flash, Green Arrow) and a rising tide of superhero films and franchises (X-Men, Fantastic Four, and the Avengers), there has never been a more essential time to recognize the cultural merits of comic books and seek out their academic rewards.
“Wright (2007), for example, has suggested that, “the modern superhero is a contemporary manifestation of the ancient shamanic role” (2007:127). While Pedler has argued that, “Morrison’s mission […is] to make our reality as interesting as theirs, as surreal, full of every potential and possibility” (Pedler, 2009:264), making them, in effect, shamanic fictions.”
What better way to end our series on Religion and Cultural Production than with a podcast combining two of my favourite topics – religion and comic books (and we will have none of your middle-class renaming “graphic novels” round RSP HQ)! Today, RSP assistant editor Per Smith talks to A.