In this interview, Owen Coggins joins us to talk about the use of religious (and sacreligious) language and imagary in Drone Metal, a genre which stretches metal to low, slow, repetative extremes. Drawing on the work of Michel de Certeau, he tells David Robertson that the prevalence of language relating to mysticism and “spiritual experience” may be due to the genre’s focus on the physicality of the musical experience. Expanding out to discuss other forms of popular music which exhibit these modes of engagement, the conversation moves to consider how this case-study might open up new ways to engage with religious ideas in popular culture, and in other practices involving extreme states of bodily consciousness.
“Social science, more than any other branch of science, is prone to the undesired influence of philosophical and ideological perspectives. The question is, then, how should social scientists deal with ideologically-infused theories without glossing over the ideologies behind them? I don’t have a straightforward answer to this question, but I can refer to Gauthier’s nuanced approach to studying neo-liberalism, which he outlines in his interview.”