Popular Culture

In exploring the interstices running along the contours of religion and popular culture researchers must not neglect the embodiment and praxis of religious expression in popular culture and vice-versa. There was a time when the realms of popular culture and religion did not meet — at least in an academic or analytic sense. The space betwixt, between, around, and interpenetrating each was relatively unexplored. Into that gap came God in the Details:

By studying only video games, we impede ourselves and the progress which can be made; there are many aspects of video games which are affecting other elements of popular culture. The field of religion and video games is still new and forming. In its struggle to find itself, it simultaneously competes with a university’s traditional understanding of both education and culture, often involving Gregory Price Grieve’s comment that video games are perceived as “low brow” culture.

Conference report for The Religious Studies Project by our very own Venetia Robertson, RSP Editor and a PhD candidate at the University of Sydney. The University of Leicester hosted the Fandom and Religion conference this July 28-30 in affiliation with the Theology, Religion and Popular Culture network. A reasonably small conference with just over 30 presenters and 50 attendees, organisers Clive Marshall and Isobel Woodcliffe of Leicester’s Lifelong Learning Centre ran the event smoothly

The reasons people might go on what they call ‘a pilgrimage’ are complex. Amusement may be as important as communion, escape from everyday life as important as prayer. But, and this is an important point that does not come up in the interview, they may not be the reasons a person may give when asked by fieldworking scholars. That we now understand that people undertake pilgrimages for more than pious reasons has been one of the most significant advances in ‘pilgrimage studies’ to date.

"While Hollywood often takes a critical stance in the name of provocation and artistic freedom, scholars of particular social and cultural groups often find themselves working against the grain of collective assumptions." In one melancholic and chilling scene in director Andrew Dominik’s The Assassination of Jesse James by the Coward Robert Ford (2007), leading man Brad Pitt’s rendition of the famous American outlaw sits outside his Missouri home.