A. Dave Lewis joins us again for a discussion of representations of Muslims in superhero comics. We talk about some positive representations, like Kamala Khan, Marvel’s new Ms Marvel, and some less-than-positive portrayals, like Frank Millar’s Holy Terror! We talk about American comics as a product of the immigrant experience, and how comics made by Muslims play with the conventions of the genre. And we talk about how to use these texts in the classroom, as a powerful tool for exploring representation, media and religion. And what is the “wormhole sacred”?
In this podcast Associate Professor David Feltmate, author of Drawn to the Gods: Religion and Humor in The Simpsons, South Park, and Family Guy, chats to Breann Fallon about the manner in which these three television shows create a broad commentary on religion for the general public. Feltmate highlights the central place these animate programs have in the proliferation of ideas about the spiritual and the religious, as heavily consumed mediums of popular culture.
Go back to 2013 to discuss Religion & Pop Culture (and #DoctorWho) w/@ReligionProf
Many of us only know about the white supremacist group the Ku Klux Klan through film and television, and much of what we see blurs fact and fiction. Distinguishing each side of that messy divide is the prolific Kelly J. Baker, exploring how media portrayals of the hate group have influenced audiences and, in turn, fed back on its own members. This previously unaired interview conducted by A. David Lewis from 2013 sketches out the rise of the KKK on the large and small screen, its relevance to discussions of religious terrorism today, and perhaps even a link to Baker’s other work on zombies in popular culture.
In exploring the interstices running along the contours of religion and popular culture researchers must not neglect the embodiment and praxis of religious expression in popular culture and vice-versa.
By studying only video games, we impede ourselves and the progress which can be made; there are many aspects of video games which are affecting other elements of popular culture.
The project of legitimating new cultural commodities into the canon of interpretative objects can be lengthy process. In this interview with University of North Carolina at Greensboro Associate Professor Greg Grieve, video games are presented as a content moving from the margins to the center of the intersection of religion and popular culture. Grieve explains how he integrates play and critical analysis into his course, and narrates the process by which his university’s library created a space to support his innovative classroom work.
Conference report for The Religious Studies Project by our very own Venetia Robertson, RSP Editor and a PhD candidate at the University of Sydney.
The reasons people might go on what they call ‘a pilgrimage’ are complex. Amusement may be as important as communion, escape from everyday life as important as prayer. But, and this is an important point that does not come up in the interview, they may not be the reasons a person may give when asked by fieldworking scholars.
How can studying literature help us to study religion? And what the question even mean? In this interview, Alana Vincent, Lecturer in Jewish Studies at the University of Chester, sets out some of the interesting intersections of these two fields. We can glean ethnographic or historical detail from literary works, and
Vernacular religion is a subject which fascinates us here at the RSP, because in keeping with our critical perspective, it challenges that idea that neat categorical boundaries may be drawn, and reminds us that when attempts are made to draw them, particular interests are being served. David Robertson was given
How should one approach the study of demons and spiritual warfare? In this conversation with University of North Carolina, Charlotte professor Sean McCloud, demons, possessions, and exorcisms that might have once been considered fringe or marginal elements of the American religious scene are now part of a robust “haunted” or supernatural landscape.
“While Hollywood often takes a critical stance in the name of provocation and artistic freedom, scholars of particular social and cultural groups often find themselves working against the grain of collective assumptions.”