Despite his best scholarly efforts, Tylor’s Anahuac is “fiction” in the same way that Europeans have drawn on their vast reservoir of myths, legends, and stories of Amazons and the Lost Tribes of Israel in their mastery of the Americas.
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Essentially, Kripal calls out the religious studies world for not having a sufficient appreciation of the power of imagination and invites scholars and the interested public into a new comparativism that moves away from strict materialism.
When encountered for the first time, the idea of a fiction-based religion might seem quite ’far out’ and counter-intuitive. How is it possible to mix together religion (that, supposedly, deals with faith and so with a truth of some sort) and works of popular culture, which are clearly created by
The majority of those who identified as a Jedi on the 2001 UK census were mounting a more-or-less satirical or playful act of non-compliance; nevertheless, a certain proportion of those were telling the truth. How does a religion constructed from the fictional Star Wars universe problematise how we conceptualise other religions, and the stories they involve? And what makes certain stories able to transcend their fictional origins and become myths?